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Sabtu, 25 Juli 2015

DOWNLOAD DUPLA FONT


When Dupla was designed, its DNA shown the best of the typographic heritage from the XIX century types, the oldest sanserif known, also named as “Grotesk”, a soft synonymous for bizarre, unnatural weird. XIX century German’s eyes was surprised, astonished by the formal strangeness that provoque the mutilation of the well know serifed types. But the skeleton and DNA are barely perceptible, invisible part of the nature of objects. We are interested in the epidermis, the outer, the visible, which directly speak eyes, and Duplatells us with overwhelming presence, that is a formal, traditional type, covered with a childlike sweetness, with slight curves, epidermical, sweeting even ink’s traps up. 
Frutiger said that Latin alphabet letter’s minimum skeleton is like a lock where you should fit all the letters you see, but that skeleton allows many skins. We use a different skin for every specific use. And Dupla’s skin points to how generous, how friendly is; the sweetness of the big good-natured. They do not feel very comfortable in low-cost airplanes company’s seats, but in the proper location with enough room, he'll fill the atmosphere with kindness. 
Do not ask for narrow columns, or terse captions in squalid sizes; do not ask for ridiculous “small print” in dark contracts where «The party of the first part shall be known in this contract as the party of the first part …» That’s not for Dupla. Large headlines, generous width columns to cover, rude pullquotes half-breaking columns, loud exclamations, great sizes, with black weights. It’s in the insultingly generous, almost obscene use where Dupla is felt. 
And if you consider this a obscene, gargantuan, typographical feast, Dupla brings you everything to demostrate that quantity does not mean less quality. Multi-language support, Underware Latin plus full coverage, complete sets of small caps, fractions, old numerals, modern, tabular, bonds and all the “gourmet” paraphernalia that Patau had accustomed us, after many years of work. 
If you want to be obscene and pass the censorship, use Dupla. Hedonism is just a venial sin.




Kamis, 09 Juli 2015

DOWNLOAD FUTURA PT FONT

Futura was designed for Bauer company in 1927 by Paul Renner.
This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Issued by the Bauer Foundry in a wide range of weights and widths, Futura became a very popular choice for text and display setting.
Originally Cyrillic version of eight styles was developed at ParaType (ParaGraph) in 1995 by Vladimir Yefimov. Additional Cyrillic styles were developed in 2007 by Isabella Chaeva. Simultaneously, the old eight styles were partly revised to match the whole family.



DOWNLOAD CAMPTON FONT

Campton is a simple sans serif with a geometric skeleton, based on the mid to early twentieth century visual trend of achieving neutrality. Although there are a lot of typefaces focusing on similar principles, Campton tries to find its niche in the field of anonymous typefaces by combining simplicity with a subtle friendliness. It is perfectly suited for graphic design application ranging from editorial and corporate design via web and interaction design through to product design.



DOWNLOAD MUSEO SANS FONT

Museo Sans is based on the well-known Museo.
It is a sturdy, low contrast, geometric, highly legible sans serif typeface very well suited for any display and text use.
This OpenType font family offers also support for CE languages and even Esperanto. Besides ligatures, automatic fractions, proportional/tabular lining and old-style figures, numerators, denominators, superiors and inferiors MUSEO also has a ‘case’ feature for case sensitive forms.


DOWNLOAD AVENIR FONT

Adrian Frutiger designed Avenir in 1988, after years of having an interest in sans serif typefaces. In an interview with Linotype, he said he felt an obligation to design a linear sans in the tradition of Erbar and Futura, but to also make use of the experience and stylistic developments of the twentieth century.
The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura , Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines.