Diogenes is an elegant and crisp text typeface. While the skeletons of the individual characters are distinct and strong, the serifs are fine and sharp. This is especially true for the capitals with their comparatively strong horizontal strokes. The graceful appearance of Diogenes makes it an ideal choice for books, newspapers, and magazines, both at small text sizes and display sizes. See also this minisite.
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Jumat, 11 September 2015
Minggu, 06 September 2015
DOWNLOAD SERVUS SLAB FONT
This family is very special to me. I started working on it right after my first son was born. I decided to name the typeface “Servus” which means “Hello” in my country. The whole idea of the family symbolizes a child’s growth. It starts with Thin and Narrow weights - just like a newborn baby - then it slowly grows to Black and Wide. As You can guess, my son is quite chubby now!
And I can assure You that I put all my love into details.- Designers: Michał Jarociński
- Design date: 2014
- Publisher: Dada Studio
- MyFonts debut: Aug 1, 2014
DOWNLOAD FF FRANZISKA FONT
German type designer Jakob Runge created this FontFont in 2014.
The family has 20 weights and is ideally suited for advertising & packaging, logo, branding as well as web & screen design.
FF Franziska provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters.
- Designers: Jakob Runge
- Design date: 2014
- Publisher: FontFont
- MyFonts debut: Jun 25, 2014
Label:
2000s,
2014,
advertising,
alternates,
bold,
branding,
capital sharp s,
clear,
commercial,
contemporary,
display,
film,
Headlines,
italics,
ligatures,
logo,
Logotype,
navigation,
oldstyle,
package
Senin, 10 Agustus 2015
DOWNLOAD POBLA FONT
Optimum readability in small bodies with scarce interlining, under poor printing conditions such as in newspapers, where velocity and bad quality’s irregular surface papers, truly distort strokes was the challenge taken. Pobla was designed with this in mind, hence Patau present a hybrid between the conventional strokes of a serif’s classical roman type and markedly “fractured” forms inside, providing a unique personality to this typographic family, where calligraphic’s humanistic axis is visibly broken with the straight axis of the fabricated letters.
- Designers: Josep Patau
- Design date: 2015
- Publisher: Tipo Pèpel
- MyFonts debut: Mar 6, 2015
Label:
angled,
book,
Broken,
contemporary,
diamond,
easy to read,
elegant,
italics,
legible,
magazine,
Modern,
news,
newspaper,
optical sizes,
personality,
Professional,
small caps,
small text,
text,
text serif
Sabtu, 25 Juli 2015
DOWNLOAD DUPLA FONT
When Dupla was designed, its DNA shown the best of the typographic heritage from the XIX century types, the oldest sanserif known, also named as “Grotesk”, a soft synonymous for bizarre, unnatural weird. XIX century German’s eyes was surprised, astonished by the formal strangeness that provoque the mutilation of the well know serifed types. But the skeleton and DNA are barely perceptible, invisible part of the nature of objects. We are interested in the epidermis, the outer, the visible, which directly speak eyes, and Duplatells us with overwhelming presence, that is a formal, traditional type, covered with a childlike sweetness, with slight curves, epidermical, sweeting even ink’s traps up.
Frutiger said that Latin alphabet letter’s minimum skeleton is like a lock where you should fit all the letters you see, but that skeleton allows many skins. We use a different skin for every specific use. And Dupla’s skin points to how generous, how friendly is; the sweetness of the big good-natured. They do not feel very comfortable in low-cost airplanes company’s seats, but in the proper location with enough room, he'll fill the atmosphere with kindness.
Do not ask for narrow columns, or terse captions in squalid sizes; do not ask for ridiculous “small print” in dark contracts where «The party of the first part shall be known in this contract as the party of the first part …» That’s not for Dupla. Large headlines, generous width columns to cover, rude pullquotes half-breaking columns, loud exclamations, great sizes, with black weights. It’s in the insultingly generous, almost obscene use where Dupla is felt.
And if you consider this a obscene, gargantuan, typographical feast, Dupla brings you everything to demostrate that quantity does not mean less quality. Multi-language support, Underware Latin plus full coverage, complete sets of small caps, fractions, old numerals, modern, tabular, bonds and all the “gourmet” paraphernalia that Patau had accustomed us, after many years of work.
If you want to be obscene and pass the censorship, use Dupla. Hedonism is just a venial sin.
- Designers: Josep Patau
- Design date: 2015
- Publisher: Tipo Pèpel
- MyFonts debut: Jul 3, 2015
Minggu, 15 September 2013
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