DOWNLOAD NASTE FONT

Tipo Pèpel strikes again with a lush splurge on pure basic geometrical shapes and sizes, those that inspired Paul Renner’s typographic milestone “Futura”. A new look to classic shapes, bringing them back plenty of delightfullly details as the lowercase cursive forms’ long tiles that break the supposed linearity expected from a purely geometrical font.

Rhythm given by hidden details in each character of each weight, push “Naste” out of German geometric sobriety, will help us to easily create typographic hierarchies upon the many weights available and the many and accurate details. Excellent results with minimal effort.

• Designers: Josep Patau
• Design date: 2014
• Publisher: Tipo Pèpel
• MyFonts debut: Oct 23, 2014

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DOWNLOAD CAMPTON FONT

Campton is a simple sans serif with a geometric skeleton, based on the mid to early twentieth century visual trend of achieving neutrality. Although there are a lot of typefaces focusing on similar principles, Campton tries to find its niche in the field of anonymous typefaces by combining simplicity with a subtle friendliness. It is perfectly suited for graphic design application ranging from editorial and corporate design via web and interaction design through to product design.

• Designers: Rene Bieder
• Design date: 2014
• Publisher: Rene Bieder
• MyFonts debut: Feb 21, 2014

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DOWNLOAD PRILLWITZ PRO FONT

Johann Carl Ludwig Prillwitz, the German punch cutter and type founder, cut the first classic Didot letters even earlier than Walbaum. The earliest proof of so-called Prillwitz letters is dated 12 April 1790.

Inspired by the big discoveries of archaeology and through the translations of classical authors, the bourgeoisie was enthused about the Greek and Roman ideal of aesthetics. The enthusiasm for the Greek and Roman experienced a revival and was also shared by Goethe and contemporaries. »Seeking the country of Greece with one’s soul«. All Literates who are considered nowadays as German Classics of that time kept coming back to the Greek topics, thinking of Schiller and Wieland.

• Designers: Johann Carl Ludwig Prillwitz,Ingo Preuss
• Publisher: preussTYPE
• MyFonts debut: Jul 1, 2015

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DOWNLAOD LETO TEXT SANS FONT

• Designers: Elena Kowalski
• Design date: 2015
• Publisher: Glen Jan
• MyFonts debut: Apr 2, 2015

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DOWNLOAD LEO FONT

Leo is an economic magazine and book face meant for use in sizes suitable for immersive reading, with different cuts optimized for different body copy size ranges, like footnotes and legal text. Designed with the explicit intent of relaying information without calling attention to itself, this typeface places itself squarely on the “function” side of the eternal debate about form versus content.

• Designers: Hans van Maanen,Patrick Griffin
• Design date: 2015
• Publisher: Canada Type
• MyFonts debut: Jan 21, 2015

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DOWNLOAD HALCOM FONT

A modern sans serif typeface inspired by the historic geometric’s of the 1920’s, specifically Futura. The design is not a simple pastiche of what went before this is much more than that. It is a close investigation to how Futura inspired other type designs like Avenir and helped push the boundary of what is a modern typeface of its generation. Overlaying perfect geometric shapes careful adjustment is made for each character and each corner to a point of balance between pure mathematics and optical correctness. The result is a distinctively modern geometric font family that is strikingly simple in design yet perfectly pleasing to the readers eye. Details include 550 characters with an alternative lowercase a, g and y, five variations of numerals, manually edited kerning and Opentype features.

• Designers: Jonathan Hill
• Design date: 2015
• Publisher: The Northern Block Ltd
• MyFonts debut: Jul 10, 2015

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DOWNLOAD BLANC FONT

Blanc is a functional humanist sans typeface with a marked personality and great style that make it ideal for use in headlines. Blanc is an ode to neutrality: a geometric face characterised by low contrast between thick and thin strokes with calligraphic features that emphasise specific glyphs. 


 

Blanc comes with 8 weights and an inline version that make it well-suited for headings and subheadings, corporate designs, advertising, publishing, etc.

• Designers: Jorge Cisterna
• Design date: 2015
• Publisher: Latinotype
• MyFonts debut: Jun 25, 2015

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DOWNLOAD TRASANDINA FONT

Trasandina is a very unique font-family: a modern, versatile, workhorse typeface with a special personality, given by the mix of humanist and geometric models, remaining far from both extremes.

This typeface has 9 styles plus their matching italics, it has an incredible wide range of weights, from very thin to an ultra thick stem. This was made following the Luc(as) de Groot’s Interpolation Theory. Trasandina’s versatility also resides in the +800 characters that each weight includes, having several open type features and language support for more than 200 languages. This font has been specially designed for web (using hinting instructions), making it work in small and large sizes on different types of screen resolutions.

• Designers: Fernando Díaz
• Design date: 2015
• Publisher: TipoType
• MyFonts debut: Jun 13, 2015

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DOWNLOAD CAMPTON FONT

Campton is a simple sans serif with a geometric skeleton, based on the mid to early twentieth century visual trend of achieving neutrality. Although there are a lot of typefaces focusing on similar principles, Campton tries to find its niche in the field of anonymous typefaces by combining simplicity with a subtle friendliness. It is perfectly suited for graphic design application ranging from editorial and corporate design via web and interaction design through to product design.

• Designers: Rene Bieder
• Design date: 2014
• Publisher: Rene Bieder
• MyFonts debut: Feb 21, 2014

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DOWNLOAD HELVETICA NEUE LT Std FONT

Helvetica grew in popularity throughout the 1960s and 1970s, and more versions of the family were introduced. This led to vast confusion: the same weight is often referred to by two different names, design features often vary from one face to another, and so on.

In the early 1980s, Linotype remedied this situation by redrawing the entire Helvetica family. Differences in alignment were corrected, subtle features were made consistent from one face to another, and all the weights and widths were designed to work together as one family.

• Designers: Max Miedinger
• Design date: 1983
• Publisher: Adobe
• Design owner: Linotype
• MyFonts debut: Dec 3, 2007

DOWNLOAD HELVETICA NEUE LT Std FONT

DOWNLOAD HELVETICA NEUE FONT

This typeface, designed by Max Miedinger and other project members at the Haas’sche Schriftgiesserei, has become one of the most famous and popular typefaces in the world, thanks to the marketing strategy of Stempel and Linotype. It forms an integral part of many printers and operating systems. The original letterforms of Helvetica had to be modified for the Linotype system. Over the years, Helvetica was expanded to include many different weights, but these were not coordinated with each other.

In 1983, D. Stempel AG redesigned and digitized the “Neue Helvetica” typeface for Linotype and made it a self-contained font family. Today, this family consists of 51 different font weights.

• Designers: Edouard Hoffmann,Max Miedinger
• Design date: 1983
• Publisher: Linotype
• MyFonts debut: Oct 25, 2001

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