Jaquizaca

font family from Lamatas un Slazdi, added today

Jaquizaca is hand drawn type to go well with vector illustrations. Jaquizaca was created in 2001 to make inter-titles for a TV-programme. After twelve years it was revised and updated with ligatures, contextual alternates and other OpenType features. It supports all the European languages using Latin alphabet.

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PR-Swirlies-01

font family from PR Fonts, added today

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a “spoonful of sugar” visually.

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PR-HallowDoodles-01

font family from PR Fonts, added today

This font is a collection of ornaments and drawings suitable for Halloween themed materials. There are bats, singly and in swarms, owls, dead trees, spiders and webs, as well as calligraphic ornaments with a decidedly creepy bent.

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Kollar Sans

font family from seven/eight, added today

Kollar Sans is a monoline, rounded face with strongly geometric bones, but enough quirks to give it a throwback character.

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Nageka

font family from GRIN3 (Marcinowicz), added today

Nageka is a distorted typeface, ideal for posters, slogans, headlines, particularly for hardcore bands' posters. The additional set of dirt patterns is comfortable to use with subtitles.

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MFC Carnivale Monogram™

font family from Monogram Fonts Co., added yesterday

The inspiration source for Carnivale Monogram is an elegantly sexy antique of typographic history. Known as Romantiques No. 3 or Ornate No. 2, this fantastic typefaces has been digitally revived and expanded for monogram designs. While this typestyle was never originally intended for monograms, its ornate nature lends itself so wonderfully to the craft.

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Center™

family of 14 fonts from Signal, added September 23rd

The future is squarish. Georg Trump knew it in 1930 when he designed City. Hermann Zapf knew it in 1952 when he designed Melior. Aldo Novarese knew it in 1962 when he designed Eurostile. Center isn’t about to argue. Based on a rounded rectangle, its geometry has been subtly refined for smoother reading. Angled branches pay homage to OCR-A. Terminals are gently softened. Early versions had a somewhat science-fictiony look, but over time Center evolved into a crisp and useful text/display family with just a hint of futurity. A combination of open counters, unequivocal curves, and ruler-straight vertical and horizontal strokes suit it admirably for onscreen display. Its seven weights range from the taut, elegant Thin to the massive Ultra, each with a matching italic. Tabular figures duplex across all weights, case-sensitive forms keep punctuation in line, and a variety of alternative glyphs let designers vary its mood at will. A full range of diacritics provides support for over 130 languages.

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Posterizer KG Sketch

font family from Posterizer KG, added today

Posterizer KG Sketch is basically a drawn version of Egyptian Slab Serif font Posterizer KG. Posterizer KG Sketch, is useful for some themes like music, painting, party, food, nature, kids... and many other funny and creative things.

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Ambriel™

font family from Type Innovations, added today

Ambriel is a fancy neoclassic delight—typographic “eye candy” for the senses. Alex Kaczun embelished one of his earlier typefaces, Kaczun Oldstyle Italic, and infused it with many decorative elements including extravagant ball terminals along with many additional whimsical touches throughout. And, what he created is a truly unique display font reminiscent of the ornately decorated Victorian era.

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Parfum™

font family from RMU, added today

Inspired by H. Trafton’s Quick, released by Bauer in 1933, Parfum is an elegant script font for many purposes.

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MPI French Clarendon

font family from mpressInteractive, added today

French Clarendon was an extremely popular wood type font. Characters are heavy and condensed with bracketed serifs, which measure approximately 1/4 to 1/3 the height of the letter. Dozens of decorative wood type designs have been created based on French Clarendon. It was marketed as a wood letter by William H. Page & Company in 1865.

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MPI French Antique

font family from mpressInteractive, added today

French Antique was first shown in the specimen books of William H. Page & Company in 1869. The font is extremely tall and thin, with serifs taller than many character’s widths. Lines are straight and clean with no fuss. French Antique can fit a lot of headline into a small space.

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MPI Egyptian Ornamented

font family from mpressInteractive, added today

Egyptian Ornamented is a decorative font based on the shapes found in a French Clarendon. Serifs are chunky and bifurcated, and “spurs” have been added to the strokes. This font emits the feeling of Old West wanted posters, rodeo broadsides, etc. It was first introduced by William H. Page & Company in 1870.

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MPI Arcadian

font family from mpressInteractive, added today

Arcadian was first produced in wood type around 1870 by William H. Page & Company. It is a semi-ornamented face based on a French Clarendon, with dots added to the median and the tops and bottoms of the letters. It has a distinctly “Old West” feel, and was likely used to add a little pizzazz to advertising and broadsides of the time.

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MPI Antique

font family from mpressInteractive, added today

Antique is a bold, classic font with high stroke contrast and no bracketing on the serifs. This letter style was hugely popular during the early 19th century and was the basis for a myriad of other designs. This version is based on wood type of unknown origin.

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MPI Aldine Extended

font family from mpressInteractive, added today

Based on wood type designed by William H. Page & Company in 1872, Aldine Extended is one of many variations within the Aldine family. The characters are extremely wide relative to their height, and have heavy, thick serifs. Aldine was extremely popular in broadside printing during the late 19th century and conveys America’s enthusiastic westward expansion.

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Center™

font family from The Signal Type Foundry, added today

The future is squarish. Georg Trump knew it in 1930 when he designed City. Hermann Zapf knew it in 1952 when he designed Melior. Aldo Novarese knew it in 1962 when he designed Eurostile. Center isn’t about to argue. Based on a rounded rectangle, its geometry has been subtly refined for smoother reading. Angled branches pay homage to OCR-A. Terminals are gently softened. Early versions had a somewhat science-fictiony look, but over time Center evolved into a crisp and useful text/display family with just a hint of futurity. A combination of open counters, unequivocal curves, and ruler-straight vertical and horizontal strokes suit it admirably for onscreen display. Its seven weights range from the taut, elegant Thin to the massive Ultra, each with a matching italic. Tabular figures duplex across all weights, case-sensitive forms keep punctuation in line, and a variety of alternative glyphs let designers vary its mood at will. A full range of diacritics provides support for over 130 languages.


For a limited time only, the complete 14-weight family is available for $49—a savings of over 80%.

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P22 Sneaky Pro

font family from IHOF, added today

P22 Pooper Black Pro

font family from IHOF, added today

Pooper Black Pro is based on a brush ethic and has an extreme axis that lends a certain amount of speed to the font while the lack of connectors slows it down. The pro version expands on the original and popular Pooper Black with the addition of full Central and Eastern European character sets and plenty of alternate characters for those who have applications that support Opentype features. Almost all of the lower case characters now include an in stroke and out stroke version for greater design flexibility. A wonderful face for packaging, titling, and short bursts of text.

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Displace Cut

font family from Dzianis Serabrakou, added today

Special edition of Displace Typeface.

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Achille FY L

font family from Fontyou, added September 20th

BAUHANS

font family from driemeyerdesign, added September 20th

BAUHANS is a upper case typeface family which comes in 2 styles. The geometrical design gives it a distinct architectural style.

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FM Bolyar Pro

font family from The Fontmaker, added September 20th

Bolyar Pro type family is the ancestor of our successful font Bolyar. We decided to develop it to a new higher level - making it more sophisticated, detailed and useful at the same time. The new improved Bolyar is quite able to satisfy every typographic taste and meet the ever growing design requirements for high quality typefaces. If you are addicted to classic vintage style, then you could easily use Bolyar Pro for almost anything - from letterhead, logos and catchy headlines to elegant packaging, book covers and wine labels. Alternates, Swashes and Ligatures will help you customize almost every single letter and fit perfectly to your artwork.

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AT Tasbaqa

font family from Architaraz, added September 20th

Cute, little handwritten font with interesting and friendly shapes.

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Supra Compressed

font family from Wiescher Design, added September 20th

"Supra-compressed" – designed by Gert Wiescher in 2013 – is the extreme version of this family. But despite it being very slim it is still – because of its openness – a very readable font.

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Metronic Slab Pro

font family from Mostardesign, added September 20th

Metronic Slab Pro is a slab serif typeface with a technological and minimalist look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its use in different graphic contexts. Metronic Pro has a wide range of OpenType features such as: old style and proportional figures, ligatures, case sensitive forms, fractions, stylistic alternates, arrows and an icons/ornaments set. This set of 60 icons, directly inspired from the typeface improves the OpenType features and can be quickly and easily use in your web design, GUI design, graphic design or any other graphic work.

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Bruum FY

font family from Fontyou, added September 20th

This sans-serif font family alternates between curved and angular shapes, which give its a technical and robust style and make it both legible in small size and powerful in big for headlines.

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Maryleen FY

font family from Fontyou, added September 20th

MARYLEEN FY - a romantic italic typeface

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ALS Scripticus™

font family from Art. Lebedev Studio, added September 17th

There are many script typefaces but there is only one Scripticus.


Scripticus like a chameleon: In whatever surroundings you put it, it adapts itself and looks like it couldn't be anywhere else.


Be it a sales advertisement, a music Website, a comic strip or a journal with complex chemical formula – Scripticus always solves the problem in a natural and leisurely way. And it never makes compromises concerning clarity.

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Sensational Sans

font family from Type Innovations, added yesterday

Sensational Sans is an original design by Alex Kaczun. The inspiration started with the shape of a paper clip. Simple and elegant. A condensed sans serif that’s, well... just sensational!

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Eeeek Images

font family from Atlantic Fonts, added today

Brew up some sweet Halloween fun with Eeeek Images, a Halloween picture font featuring 60 Amy Dietrich illustrations. From curious crows to cascading candy, Dracula to darling bats - Eeeek Images is MONSTEROUSLY fun... DARE NOT pass it up!


Posters feature various fonts by Atlantic Fonts including Rowboat, Mountain Goat, Farmstand, Trailmap, and Judlebug.

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Felice

font family from Nootype, added today

Felice is an elegant serif font family. The humanistic touch gives a warm aspect to this complete text font. Those italics are perfect to give a refined look to text.

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Urban Circus

font family from Chank, added today

Urban Circus is a big, grand display font that celebrates both the thoughtful, carefully constructed elements of contemporary urban planning and also the joyful, chaotic and magical elements of the circus. This typeface comes in four font styles which have a total of eight different alphabets that can be used together to create dramatic poster headlines and titles. Use the different alphabets on overlapping layers in different colors for a striking poster effect.

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Brownstone Slab

family of 6 fonts from Sudtipos, added September 13th

Alejandro Paul’s Brownstone Slab is based on his own popular, award-winning, Brownstone Sans typeface. 

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Appareo

family of 9 fonts from Kimmy Design

Inspired by vintage books and the pages within, Appareo is an imperfect, worn serif font that comes in three weights. Each weight is has a varying degree of distress, from Black, in which the press and ink fully set into the page, to Medium, Light and Extralight, where the texture is heaviest. Each weight also has a custom italics version of each character.

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Bague

font family from Eurotypo, added today

Bague is a classical roman typeface, which was inspired in Old Dutch style, especially in the work of Jan Van Krimpen.

Bague family comes with two different lengths of stem (ascenders-descenders), with three weights in each style: Text and Caption

OpenType features: Discretional and standard ligatures; Swash, Contextual and stylistic alternates; Case sensitive forms, tabular figures, numerals, denominator, numerator, Small-Caps and Old Style figures.

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Becker Gothics

font family from Dunwich Type Founders, added today

The Becker Gothics pay homage to the nineteenth century American lettering master George Becker. Designer James Puckett has given new life to the ingenious gothic alphabets found in Becker’s 1854 lettering manual Ornamental Penmanship. Use this quintet of typographic voices to evoke vintage engraving, lithography, signs, and wood type.

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Kilburn

font family from Talbot Type, added today

Kilburn is a no-nonsense, condensed Gothic sans-serif. For over a century the condensed sans-serif has been the ‘go to’ font for gravitas and authority. Kilburn continues in the fine tradition of fonts such as Franklin Gothic, News Gothic and Trade Gothic offering a contemporary interpretation of the condensed sans-serif — functionality with personality. Equally at home as both a text and display font, Kilburn is available in five weights from Thin through to Black.

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Whipsnapper™

font family from Pink Broccoli, added today

A wild at heart offbeat sansserif family inspired not by any single pulp or vintage source but a varied collection of influences. Just an all-around fun typeface with the widths and weights to offer a wide variety of uses.

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KG A Little Swag

font family from Kimberly Geswein, added today

Cute bunting style lettering. Best when used with multiple layers to create a stacked, dimensional look. Use the parentheses to create end pieces and _ (underscore) to connect the end pieces.

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Brooklyn Samuels™

font family from Samuelstype, added today

Brooklyn Samuels is a sans-serif family of fonts designed by Hans Samuelson. Based on geometrical shapes it is primarily intended for headline use but also offers excellent legibility in small sizes.

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Brownstone Slab

font family from Sudtipos, added today

Alejandro Paul’s Brownstone Slab is based on his own popular, award-winning, Brownstone Sans typeface. 

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KG Royals

font family from Kimberly Geswein, added today

Fun bunting style lettering. Best when used with multiple layers to create a stacked, dimensional look. Use () {} [] to create end pieces and _ (underscore) to connect the end pieces.

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KG Beneath Your Beautiful

font family from Kimberly Geswein, added today

Quirky teen unicase handwriting with personality.

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KG Primary Italics

font family from Kimberly Geswein, added today

Primary-style italicized handwriting.

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Boink Scratchy Outline

font family from Robert Petrick, added today

“Boink Scratchy Outline” is a new variation in a series based on my classic “Boink” font.

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