font family from Atlantic Fonts, added August 27th
Like fresh, warm just-out-of-the-oven bread, Wheat is wholesome and comforting.
Wheat’s crusty texture and bubbly, hand-drawn letters give it all natural appeal.
Sabtu, 31 Agustus 2013
Wheat
Label Pro XL
family of 12 fonts from Kustomtype, added August 5th
LABEL PRO XL is a massive high quality collection of classic, modern and vintage labels. Containing more than 150 glyphs, LABEL PRO XL is convenient and essential in numerous business sectors; such as food or non-food labeling, B2B and B2C sales; stickers, stamps or advertising designs etc.
LABEL PRO XL offers you a quick & easy solution for all vector designs and application software.
The LABEL PRO XL font is fully handtraced, a first-class and worldwide highly appreciated quality.
LABEL PRO XL, a complete font that contains twelve different styles, tons of combinations, cool swaches & flags, LABEL PRO XL is particularly developed for creative people.
The Woods
font family from VirtueCreative, added yesterday
The Woods is a bold new display font family with 4 styles, each style has a great design feel to it and looks hand crafted. Use it big and make a bold statement.
Liturgisch
font family from Lamatas un Slazdi, added yesterday
Liturgisch was created by Otto Hupp for Klingspor foundry in 1906. The basis of this font is a publication in the magazine “Das Plakat” of October 1921. The font contains contextual alternates, ligatures, discretional ligatures for use in German, ornamental bullets and other OpenType features. It supports all the European languages using Latin alphabets (including slashed S and slashed longs used in Latvian old orthography till 1930s).
Mirabelle™
font family from Magpie Paper Works, added yesterday
Mirabelle from Magpie Paper Works is a family of four hand-lettered fonts designed to coordinate with each other or stand alone as display faces. Each font was created with a felt-tipped pen & ink, and includes a full set of capital and lowercase letters, as well as multi-lingual support, currency figures, numerals, and punctuation.
Selasa, 27 Agustus 2013
Supra Extended
font family from Wiescher Design, added August 22nd
Supra Extended – designed by Gert Wiescher in 2013 – is the extended version to this new sans typeface family of eight weights. The extended version is designed for sheer elegance and has no italics because they didn't look nice to me.
Pastrami On Rye™
font family from Typodermic, added August 22nd
Pastrami on Rye is a comic-style font with a rough-hewn look. While many comic dialog fonts are based on a drawn pen & ink comic style, this is based on a constructed style resembling cut paper or fabric. In the capital I position is a seriffed I. Use this for the personal pronoun “I” or in acronyms. In OpenType savvy applications, letters and numerals are automatically shuffled to create a more natural, hand drawn effect. This will work in any application which supports OpenType standard ligatures.
Chickweed™
font family from Typodermic, added August 22nd
When you want entertaining, casual headlines that take up minimal space, Chickweed is your font. In OpenType savvy applications, letters & numeral variations are automatically shuffled for a more natural, giddy look.
Cantoni
family of 5 fonts from Debi Sementelli Type Foundry, added August 22nd
The Cantoni Font family is a hand lettered font with a variety of standard and alternate characters that play together well. And with a total of 1265 glyphs, you can play for as long as you like.
Bemis
font family from Leksen Design, added August 21st
I accidentally fell in love with type design, and more specifically, the engraved type on the historical Bemis building in Seattle. A high waist and great contrast are characteristics of this classic caps and 3/4 caps typeface that inspired my debut typeface, with ornaments to boot.
Jumat, 23 Agustus 2013
ChefScript™
family of 8 fonts from Andinistas, added August 19th
Chef Script is an experimental font designed by Carlos Fabian Camargo G. Its fantasy design contains 1463 glyphs to compose words, phrases and short messages on small and large sizes. The idea was born in a sketchbook that was perfected again by hand and achieving "non-neutral drawings" on tracing paper. With bezier digitization the empty and full parts of letters appeared with soft and eloquent curves as calligraphic result produces optimal readability.
read more
Hustlers™
font family from Decade Typefoundry, added August 20th
Hustlers™ was inspired by carnival, circus and tattoo signs shop from the late 1800’s.
It works well with normal size text, but works even better for large displays, short words, or just to incorporate a few or single characters in a design.
Dez Squeeze Pro™
font family from Dezcom, added August 20th
Dez Squeeze Pro is a display family in seven bold widths. Choose the width that fits the space available for your headline. Dez Squeeze Pro is a very bold display face with multiple language support, nearly 600 glyphs, stylistic sets, Unicase, and many alternates. Dez Squeeze Pro is Bold enough for knock-out photographs, so go ahead, knock yourself out.
Gonte
font family from Dear Alison, added August 20th
If you are like me, you love to doodle in a sketchbook when traveling abroad to capture the indescribable moments that a camera or video would miss. Years ago, on a trip to Spain, I penned out this fanciful handwritten script and just fell in love with it.
Selasa, 20 Agustus 2013
Dot Script
font family from Cruz Fonts, added today
A display typeface built with dots for use at large sizes. It is smooth and elegant. Great for titles, headlines,
advertising, music, toy products and cosmetics with a youthful flavor.
Sequentialist BB™
font family from Blambot, added today
Sequentialist BB is a comic book lettering font family inspired by crime noir, and the far-flung future as imagined in the 1950s. It has clean, legible lines and a deco feel. The family comes with Regular, Italic, Bold, and BoldItalic, with a large compliment of European characters.
The opentype version contains autoligatures to swap out identical, adjacent letters for a more hand lettered feel.
Designers: Nate Piekos
Design date: 2013
Publisher: Blambot
MyFonts debut: Aug 19, 2013
Braxton
font family from Fontfabric, added today
Braxton - brush flavored script font family includes 5 unique font weights. The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc.
Display Uncanny
font family from Gerald Gallo, added today
Display Uncanny is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. The same A to Z characters are located under the shift+character set and character set keys with the ones under the character set keys reduced in size.
There are numbers and punctuation located under their respective keys.
Designers: Gerald Gallo
Design date: 2013
Publisher: Gerald Gallo
MyFonts debut: Aug 19, 2013
Tuff™
font family from Stone Type Foundry, added today
Tuff began with Magma. Set as text, they appear to be similar and are quite comfortable as typographic companions. The child-safe softness of Tuff owes something to the letterforms of the earliest extant Greek Manuscript, The Persae by Timotheos in the 4th Century BC.
It is beholden to Morris Fuller Benton's original Souvenir, and its revival by Ed Benguiat. My own Stone Informal was also an influence.
Designers: Sumner Stone
Design date: 2008
Publisher: Stone Type Foundry
MyFonts debut: Aug 19, 2013
Filmotype Melody™
font family from Filmotype, added today
Originally released in the late 1950s, Filmotype expanded it’s Free Style typeface category with the introduction of Melody, an offbeat Googie era doo-wop typeface which was most frequently associated with music and entertainment lettering styles throughout the last 1950s and early 1960s just as Elvis and the Beatles were making the scene. To expand the versatility of this wonderful typeface, designer Rian Hughes developed and remastered new condensed and expanded versions of Melody called Melon and Mellow respectively.
Filmotype Melon™
font family from Filmotype, added today
Originally released in the late 1950s, Filmotype expanded it’s Free Style typeface category with the introduction of Melody, an offbeat Googie era doo-wop typeface which was most frequently associated with music and entertainment lettering styles throughout the last 1950s and early 1960s just as Elvis and the Beatles were making the scene. To expand the versatility of this wonderful typeface, designer Rian Hughes developed and remastered new condensed and expanded versions of Melody called Melon and Mellow respectively.
ChefScript™
font family from Andinistas, added today
Chef Script is an experimental font designed by Carlos Fabian Camargo G. Its fantasy design contains 1463 glyphs to compose words, phrases and short messages on small and large sizes. The idea was born in a sketchbook that was perfected again by hand and achieving "non-neutral drawings" on tracing paper. With bezier digitization the empty and full parts of letters appeared with soft and eloquent curves as calligraphic result produces optimal readability.
Filmotype Mellow™
font family from Filmotype, added today
Originally released in the late 1950s, Filmotype expanded it’s Free Style typeface category with the introduction of Melody, an offbeat Googie era doo-wop typeface which was most frequently associated with music and entertainment lettering styles throughout the last 1950s and early 1960s just as Elvis and the Beatles were making the scene. To expand the versatility of this wonderful typeface, designer Rian Hughes developed and remastered new condensed and expanded versions of Melody called Melon and Mellow respectively.
Filmotype Hemlock™
font family from Filmotype, added today
Introduced by Filmotype in the early-to-mid 1950s, Filmotype Hemlock owes its origins to classic sign painter sho-card lettering popular in the late 1940s through the 1950s. This thick upright script was among Filmotype’s most popular brush script style typefaces and saw use in window signage, store spectaculars and periodical advertising.
Senin, 19 Agustus 2013
Hashtag
font family from Studio Filigran, added today
Hashtag is a type family of four types.The font contains over 360 carefully hand-crafted glyphs.
Very elegant and gentle in big sizes but is very legible in smaller sizes and longer texts - in print or on screen.
As an exclusively OpenType release, these fonts have an extended character set to support Central and Eastern European.
Hashtag is perfect for logos, advertising, announcement, invites, thank you’s and correspondence, for packaging, and to create all yours fun and moderns designs you want. There are plenty of options to allow you to create something unique and special.
I hope you like him as much as I do!
India Ink
font family from CounterPoint Type Studio, added today
A heavy, bold font based on two hand lettered type specimens from the 1920s. Original designer unknown. The font has a unique combination of both Old World and Asian influences, while still maintaining a fun, upbeat casual feel. Contains a full set of Alternate Caps found under the “Stylistic Alternates” OpenType feature. Contains language support for both Latin-based and most Eastern European languages.
Gunar™
font family from The Northern Block, added today
A geometric sans serif with a square chiseled appearance. Precise curves are met with straight lines and tapered angles to produce a fresh, technical typeface. It’s large x-height and neutral width give it good legibility at small point sizes. These refined rectangular features make it ideally suited to a wide range of modern applications. Details include 550 characters with alternative lowercase a, e, g and y. 5 variations of numerals, manually edited kerning and Opentype features.
Rabu, 14 Agustus 2013
Bartender™
font family from Tour De Force, added today
Small family called Bartender, for the lovers of retro style typefaces.
Vernaccia
font family from Eurotypo, added today
Last year I went to visit a friend in Tuscany. One day he took me to meet his neighbor, a nice old man; Mr. Giulio. After giving us a tour of his small vineyard, he insisted us to try his production: a delicious Vernaccia! When his wife left the bottle containing the gold liquid on the table, I fell in love with the label: it was handwritten by herself, as if to highlight the “homemade” feature.
As a tribute to this beautiful and hardworking couple, I asked permission to be inspired to make a typeface ... and here goes! The family Font Vernaccia... Vernaccia is a type family of four fonts: Regular, Bold, Condensed and Condensed Italic.
Is a modern and casual calligraphy family font. As an exclusively Open Type release, with 759 glyphs and 45 ornaments, it has several special alternatives for all letters with lots of possibility and an infinity of combinations.
Most of the ornaments can be used alone, but really were especially designed to combine with the different glyphs. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, several swashes and stylistics alternates for each letter, catchwords, tails that can be added to the beginning or end of each letter, ornaments, and much more.
These lovely fonts have already an extended character set to support Western European languages. Vernaccia was made to make your project more beautiful and attractive! Have fun with it!
Sedona
font family from Jeff Kahn, added today
Sedona is a quirky, all capitals, display font that evokes the American West, Native Americana, vacations, travel, campgrounds, rustic lodges, needle point, Christmas, holidays, Arts and Crafts movement, quilts, tiles, and alpine resorts.
It is based on an isometric grid and individual shapes that conform to the grid’s structure. Each letter or glyph is made up of numerous triangular shapes. The letters have gaps of space that create a dynamic texture.
Our mind connects the triangles to complete the letter and recognize the familiar letterform.
Sedona will create a unique identity for book cover titles, editorial headings, packaging, logotypes and signs.
More…
“Creating Outlines”, 2. “Release Compound Path”. You may also want to “Ungroup” the letters. Great care was taken to align the shapes perfectly. There are no overlapping or misaligned shapes.
Sedona does not include a lowercase or diacritics for foreign languages. You may type in lowercase but the letters will appear as uppercase.
Blumenkind
font family from Catharsis Fonts, added today
Blumenkind is a fresh, bright, humanist script font radiating boundless optimism and friendly enthusiasm. Its strokes are based on the rounded triangle, which lends it a dynamic bounce and a confident human touch.
It shines in a wide range of display and editorial applications, but excels in particular in the context of art, creativity, food, social events, and spirituality.
Blumenkind is inspired by an instance of metal-strip lettering found on the Bürgermeister Kornmesser Siedlung residential building complex in Berlin from the 1960s.
The font name, being German for “flower child”, aims to capture the positive zeitgeist of that time evident in the letters. More…
Furthermore, a complementary version of the font (Blumenkind Alternate) is available, in which the overlapping tittles and accent marks of the original are replaced with more traditional free-floating marks.
Thanks to Georg Seifert, Rainer Scheichelbauer, and Michael Wallner for technical aid.
KG Flavor And Frames Five
font family from Kimberly Geswein, added today
Fun frames and borders in a variety of styles. The binder tabs can be printed, folded, and adhered to binder page dividers.
KG Flavor And Frames Four
font family from Kimberly Geswein, added today
Fun frames and borders in a variety of styles. Note that the pennants can be typed in 2 lengths-- typing abab gives you a continuous pennant border. This works for all of the pennant and bunting styles-- abab, cdcd, efef, ghgh, ijij, etc... :)
Senin, 12 Agustus 2013
Grit Gothic™
font family from Baseline Fonts, added August 9th
You can hear the wheels of imagination turning within this font - Grit Gothic, from Grit History™ B Series, by Baseline Fonts.
Stern Pro™
font family from Canada Type, added August 9th
Originally released in 2008, Stern is the only typeface to be produced and marketed simultaneously in digital and metal. In the twenty-first century, no less. It is also the last typeface Jim Rimmer ever completed. The process he used for its design and manufacture is the stuff of legend, and can be seen in the Richard Kegler documentary, Making Faces: Metal Type in the 21st Century. The design is a delicate upright italic named in memory of Chris Stern, the late artist and printer from Washington State.
Monterra
font family from ActiveSphere, added August 9th
Monterra™ is a font family ideal for flyers, label, logos, magazine, product branding, corporate branding, signage, posters and especially in advertising.
Stately GG™
font family from Baseline Fonts, added August 9th
TWO LAYERED FONT: Be sure to get both the FRONT and the BACK!
Heirloom Artcraft™
font family from Baseline Fonts, added August 9th
Presenting Heirloom Artcraft-- by Baseline Fonts within the Grit History B series. Like an auntie who insists on baking cookies from scratch every time you visit, Heirloom Artcraft is a beacon of tradition and consistent delight with every letterform. Gentleness and subtlety keep this font far away from kitsch.
Worn Gothic™
font family from Baseline Fonts, added August 9th
Worn Gothic, a typeface from the Grit History™ B family, creates rock solid text-- characters that are weathered, defined and strong, like the body of a gargoyle.
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