font family from chris philson, added today
Philson Block is a family with upright and oblique versions. The structure of each character is based on a square divided into simple fractions. Each letter has at least one variation, with angled corners, increased widths, or altered shapes.
font family from Mint Type, added yesterday
Ristretto Slab Pro is a slab-serif companion to Ristretto Pro. It’s an extremely narrow display slab-serif font family available in 8 weights. It features rich language support, 6 sets of figures and small caps.
font family from Mint Type, added yesterday
Ristretto Pro is an extremely narrow display sans-serif font family available in 8 weights. It features rich language support, 6 sets of figures and small caps.
font family from Delve Fonts, added yesterday
The Sketchnote Typeface was born of necessity: veteran designer and illustrator Mike Rohde needed a series of hand-drawn fonts to produce his recent book, The Sketchnote Handbook (2012, Peachpit Press). Because of its origin, the typeface was designed to be practical, to convey the human character and quirks of Rohde’s normal handwriting and unique hand-drawn lettering with the benefits inherent in digital fonts.
Inspired by posters of the early 1900s, Revue was designed for Letraset in 1968 by Colin Brignall.
Revue is a sans serif design characterized by heavy bow-shaped letterforms, strokes that are clipped off at the ends of some capitals, for example the F and H, and an irregular baseline.
Revue is a fine choice for display work such as posters, advertising, and billboards.
Great Scott, Marty! This font is charged by the Power of Love!
DOUBLEBACK was created by Comicraft for the official BACK TO THE FUTURE fan club.
We can't guarantee that it'll take you back in time, but we can recommend a trip to the BACK TO THE FUTURE movies on DVD.
family of 6 fonts from Heinemann Collection
The Heinemann fonts were initially developed by the in-house design team at Heinemann educational publishing out of the necessity to find the perfect font for use in early primary reading books and literacy products.
family of 4 fonts from ParaType
An original typeface designed for ParaType in 2004 by Armenian designer Manvel Shmavonyan.
family of 1 font from GLC
In 1525, Albrecht Dürer, the well known German great artist, was publishing the so-called “Underweysung der Messung mit dem Zirckel und Richtscheytâ€, printed in Nuremberg. This handbook explained with numeral figures how to draw with a compass and ruler. A large part is devoted to the drawing of Roman characters, which can be used as decorative initials.
family of 7 fonts from Underware
Bello is a brush typeface for headline point sizes - it’s big & beautiful. Bello has lots of ligatures and start and ending swashes. They are automatic in Bello Pro, which is a cross-platform OpenType font with many OpenType features.
family of 3 fonts from Alex Meier
Minora is a contemporary sans serif type family of three weights. Glyphs with open, plain and reduced forms are attributes of Minora. Several OpenType features allow different figure sets, fractions and more.
BluHead Studio LLC is pleased to announce the release of 4 fonts from the Churchward Conserif family designed by New Zealand typeface designer Joseph Churchward.
BluHead Studio is in the process of digitizing many of the fonts in Churchward’s extensive library of exciting and unique designs and will be releasing them in OpenType format on a regular basis.
Make an impact with geometric cubes!
The Cubista Geometrica typeface is a monospaced design created to form repeated patterns, either individually (single symbol) or mix and matched with partner charaters. Each image is accessed through the standard keyboard—instead of letters, you'll get an image or glyph. This monospaced typeface is designed proportionately high as it it wide making it easy to form multi-line patchworks. The combination possibilities are enormous—this font comes with a PDF guide showing many of the assembly options, the rest we leave to your own imagination!
Developed from doodles, Loza is a enjoyable whimsical font offering a text face and a dingbat face.
family of 1 font from Flat-it
This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. And for the calligrapher H.P. Behrensmeyer & Charles Paxton Zaner.
font family from Catharsis Fonts, added today
Numina is an elegant, dignified, highly condensed modern display family comprising two complementary faces. Numina Glory capitalizes on the family’s strong, relentless vertical texture, eschewing diagonals in favor of robust pillars, whereas Numina Glamour opts for more traditional letterforms for improved legibility and a classy, airy grace. Both faces are well-suited for headlines, logos, block quotes, and editorial work.
family of 18 fonts from Typedepot
Centrale Sans is a modern sans serif typeface. Geometric by nature, Centrale Sans is characterized by some humanistic features, resulting in a more warm and friendly look.
family of 4 fonts from Evertype
Loch Garman is based on BaoithÃn, designed by Viktor Hammer and Colm Ó Lochlainn; BaoithÃn was based on Hammerschrift, which was related to Hammerschrift American Uncial -- though Loch Garman is more authentic Gaelic font than American Uncial.
family of 2 fonts from GLC
This family was inspired from the French edition of Hypnerotomachie de Poliphile (“The Strife of Love in a Dream”) attributed to Francesco Colonna, 1467 printed in 1546 in Paris by Jacques Kerver. He was using a Garamond set (look at our 1592 GLC Garamond), including two styles: Normal and Italic (Normal carved by Claude Garamond, Italic we don't know; it was an Italic pattern very often in use in Paris at that time).
A WPA poster announcing the latest production by—guess who?—the Big Tent Players inspired this eye-catching, if somewhat unconventional, typeface.
Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).
Jennerik is a plain, serifed face in which the strokes have a uniform weight. I originally designed it for printing rough drafts.
Mark van Bronkhorst designed MVB Celestia Antiqua at a time when font choice was limited. Design was characterized by overuse of the few fonts that came with laser printers.
A rustic typeface, recalling the roughness and irregularity of pre-digital printing, was a response to the cold crispness of DTP. MVB Celestia Antiqua holds its own among a large group of other “weathered” serif fonts, in part due to the size of the family: three weights, small caps, italics, and two titling styles. But it’s also successful because it’s simply drawn well, the contours only as rough as they need to be, enabling text at any size, large or small.
font family from Catharsis Fonts, added today
Numina is an elegant, dignified, highly condensed modern display family comprising two complementary faces. Numina Glory capitalizes on the family’s strong, relentless vertical texture, eschewing diagonals in favor of robust pillars, whereas Numina Glamour opts for more traditional letterforms for improved legibility and a classy, airy grace. Both faces are well-suited for headlines, logos, block quotes, and editorial work.
font family from Resistenza, added today
Luxx font was born in 2010 and in the 2013 has been redesigned. Luxx is based on a style of lettering often seen on Italian art deco posters and advertising of the 1930s. This font is very modern, and is inspired by the “velocitá-speed” of this artistic period.
