family of 1 font from Ingrimayne Type
XPointedDesert and XSimpleHands do not have as much variety in the hands as Phyngern, but their hands pointing in a lot more directions--up and down, and at 45-degree angles.
family of 1 font from Ingrimayne Type
XPointedDesert and XSimpleHands do not have as much variety in the hands as Phyngern, but their hands pointing in a lot more directions--up and down, and at 45-degree angles.
XRoomingHouse is a typeface of pictures that I did many years ago. Most of the pictures are border elements, and within a set they can be combined to make borders or frames. There is no real style consistency in the font--it is an eclectic collection of elements.
As for the name, boarders stay in a rooming house.
Most of the letter keys are from animal drawings done by a six or eight year old child who has now grown up.
Christmas cookies have already slowly crept onto your local supermarket’s shelves -- the Linotype Xmas Fonts just can't wait any longer! Ravishingly friendly and universally applicable: Fuenfwerken -- a design studio from Wiesbaden, Germany -- is proud to present its latest Fun Font Family. Bringing variety to the dry Christmas card genre, these fonts can also be used on posters to spread holiday cheer at home. No limits are placed on your creativity here! More…
The family has three different fonts, each with more than 60 symbols inside: Xmas Story includes the whole figure palette necessary for a classical Christmas story. From a cute little Baby Jesus to the Three Wise Men and woolly Aramaic sheep and everything that one needs to add special flair to a letter to grandma, or to set up a Nativity Scene at home for the kids is included. Customers who aren't searching for a biblical font should check out Xmas Essentials. This font contains typical non-denominational end-of-the-year holiday ornaments, such as snowflakes, decorated Christmas trees, nutcrackers, and stars. Last but not least is the Xmas Modern font. Just as global warming poses severe risks to snowmen, this font will make recipients of your holiday and New Year’s cards melt. Glyphs such as Santa Claus riding on a Vespa -- complete with iPod -- speed away from normal, stuffy holiday seriousness, and signal that the Fun Generation has arrived!
The best choice, of course, is to treat yourself to all three fonts this Christmas. Then you'll be prepared for every situation. Happy Holidays!
Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family.
Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super.
The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle.
The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.
Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family.
Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super.
The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle.
The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.
Xenois is a sweeping suite of designs that will provide solutions for a multitude of projects. Annual reports, restaurant menus, business correspondence, corporate identity programs, movie credits and advertising campaigns can all be set with various faces from the family.
Interrelating perfectly, the sub-families within the series include Xenois Sans, Serif, Semi, Soft, Slab and Super.
The designs have a common and obvious design bond, yet each is able to stand on its own as a distinct typestyle.
The Xenois typefaces are based on a common underlying model; they have the same cap height, the same lowercase x-height, the same stem weights, and the same basic character shapes. This unity of shape and proportion results in a remarkably complementary set of typeface designs.
family of 1 font from PizzaDude.dk
Xantigo is a fun, smooth and romantic font with rounded edges.
font family
What sets wood type apart from the lettering designs created in the digital age is the simple premise that it is hand made. Woodwork JNL contains all of the slightly asymmetrical curves, unusual letter forms and incremental letter weight variations that add a “real world” touch to all print and web designs that seek the old-fashioned charm of another era.
font family
Wood Type Grotesk JNL was re-drawn from a set of vintage wood type purchased from a closed rubber stamp shop. Although the style of lettering is referred to in old type catalogs as a “grotesk” face, in truth the lettering has charm and effectively gets the printed point across to the reader. This typeface is available in both regular and oblique versions.
WIP FirstLady depicts the handwriting of a young woman with a consequent stroke representing ambition, open mindedness and talent.
The (lower case) characters are joined as it is usual in German speaking countries.
Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.
Babble go gaga? Babble a liddle baba aba dittle boo-boo? Babble gotta Owie? Babble wanna see dada go bonk? See dada go WAAHHH?! Babble wanna bockle? Babble wanna see mama? Babble wanna have milky milky num-nums?
Ahhh... Babble id soooooooo cuuuuuute!
Dada and Mama love Babble. Big Hug, babble!
Okaycat JAPAN proudly presents “Azsitra”! Newly released, Azsitra is a beautiful handwritten script. Unique texturing & style make this font unforgettable. Azsitra sits well in any design environment adding a gentle illustrated look!
family of 6 fonts from Proportional Lime
The Goths swept across Europe hastening about the dissolution of the Roman Empire, forever acquiring a disrepute noticeable to this day. Wulfilas, a bishop, translated the Bible into Gothic and developed the Gothic alphabet to accomplish this migration of culture and civilization to his people.
family of 1 font from Artist of Design
AZ Kiss font is inspired from sketches.
family of 8 fonts from Positype
Ayumi is one of those precocious sans. At first glance, I wanted it to look simple...basic characters, moderate modulation, common structure...but at closer inspection, it is filled with all kinds of fun and expressive details. The italics are...well, fun. They're curvy and expressive and truly compliments the face. The new Pro version includes a tightened character set, Central European glyphs, and remastered kerning.
family of 1 font from Typadelic
Based on a mid 20th century retro typestyle, Average Joe is anything but average! You might even find that it breaks the rules and is somewhat of a rebel.
In drawing the Avenir typeface, Adrian Frutiger looked to both the past and the future for inspiration. His goal was to reinterpret the geometric sans serif designs of the early part of the 20th century in a typeface that would portend aesthetics of the 21st century. He succeeded handsomely. In doing so, Frutiger added a bit of organic humanism to the design, freeing Avenir from the rigid geometric overtones of the earlier designs.
Frutiger described it as: "…intended to be nothing more or less than a clear and clean representation of modern typographical trends, giving the designer a typeface which is strictly modern and at the same time human, i.e., suitably refined and elegant for use in texts of any length."
family of 2 fonts from Comicraft
Tighten up your capes, pull those cowls over your eyes and hoist your underpants over your trousers as far as they will go! Silver Age super heroes know that Men of Action can never look foolish fighting crime in their pyjamas and neither will you with the help of our latest crack-kerning offering.
font family
AT Traffa is a stencil, display face with extended latin & cyrillic support.
Simple but optically corrected shapes with playful lowercase give this design a very distinctive feel.
Comes with an interesting italic version.
font family
Altera is a typeface based on a logotype we made for a broadcast company. This typeface in fact carries a transformation in itself: it’s composed of three different weights and shapes. In our humble opinion the possibilities are endless! So be a sport and use this typeface for logo’s and headings. Kick the can!
font family
AT Brushure is a brush, scrpit font with handwritten touch.
Even legible at 12 pt, these interesting and distinguishable glyph shapes will give you a wide range of design possibilities.
font family
Astrum is a very decorative script font using elegant caligraphic handwritten letters that are all mutually interconnected, creating a unique look & feel of a personalized human handwritting. Its clean and prefined lines makes Astrum very appealing and modern, although being very classical in its core essence.
font family
Astral FY, a font to predict the future… astrological signs included!
family of 1 font from Solotype
This is our name for Antique Tuscan, of which there were many variations.
This is a picture font of Arts And Crafts style and Art Nouveau style ornaments.
A casual, open brush script style designed with a shadow effect for a three-dimensional impression by British designer Martin Wait. This typeface looks best with tight letter and word spacing in large display settings.
family of 1 font from Jeff Levine
Artist Colony JNL is the third type design inspired by some online examples from an early 20th Century French book of decorative hand lettering.
font family
The font Arsena was designed for a contest on the creation of modern Ukrainian business font “Arsenal” and awarded the 3rd prize.