Maxwell Sans Font

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Maxwell is a clean condensed san serif typeface inspired by similar retro fonts from the 1950’s. It comes in regular and small caps versions, includes stylistic alternatives and via the glyph panel you can access scientific inferiors, fractions, oldstyle numerals, Cyrillic, Greek, Latin and other Western and Central European languages. It can be used as a headline font or paragraph text.
Designed by Francisco Gálvez Pizarro.

Handy Labels Font

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The basic font contains 26 ready-made labels with texts. These are encoded as upper case. You can enter your own texts to the 26 empty labels encoded as lower case. Handy Labels Frames contains empty labels divided into 2 layers and encoded as lower and upper case. Like this you can apply multiple colours with ease. Handy Labels Texts are also divided into 2 layers. You can actually convert the fonts
to vector outlines and your edit possibilities are unlimited.

Steagal Font

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Steagal has softened edges, which simulate brush strokes and retain the feeling of the human hand. The standard version has unique quirks that are not too intrusive. Overshoots have almost been eliminated, and joins have minimal corrections. The rounded forms are mathematically perfect, geometric figures without optical corrections. As a variation to the standard, the “Rough” version stands as the “bad signpainter” version with plenty of character.

Adoquin Font

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Adoquin is a clean and friendly semi serif family. It comes in seven weights with small caps, wich makes it a versatile typeface.

The design is based on geometric sans serif typefaces and the calligraphic features of old school models, making Adoquin a functional and warm font family.

Hiatus Font

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Hiatus bridges the gap between formal scripts used for invitations and more classic settings and casual scripts that exude a warmer tone. Like many formal scripts, Hiatus is fully connecting. Its low body height combined with generous letterspacing adds an elegant profile to lines of text. Like casual scripts, Hiatus has a warm, hand-lettered appearance with great rhythm. Solid in structure; Hiatus also sets well at smaller sizes.

Capita Font

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Capita, a serif-dominated face in a new style. Strong in appearance, with controlled motion of the contour, vivid and warm, with gentle flow – it avoids any harshness of many slab serifs.

Well-balanced proportions make it qualified as reading type, yet with its puissant qualities ideal for headlines and subheads.

Capita is well equipped for ambitious typography. The Capita family consists of 12 styles, comes in OpenType format with extended language support for more than 40 languages. All weights contain

small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining

old style figures, matching currency symbols, fractions and scientific numerals.

Ollie Font

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Meet Ollie, a casual signage script whose friendly, bouncy exterior belies a heart of sophisticated OpenType programming. This font is designed to make the most of OpenType savvy applications, and as such is recommended for professional design use. Or to put it another way: Make sure that contextual alternates and ligatures are always turned on!

Moderna Font

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Moderna is a sans serif family inspired in simplicity of Modernism.

Its contruction neutral and clean has been especially designed for short texts, headlines, logos and branding.

Frosted Font

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Frosted is a font based on a naive, illustrated handwriting that can be used on a daily basis.

It is a delicate, handwritten front with a somewhat masculine feel which mimics the natural stroke of pointed pen calligraphy. Paired with structured flourishes and wreaths, Frosted embodies a folksy feel that brings true character to any design.

Boudoir Font

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Come into the boudoir. This simple hand-drawn sans tries to invoke the same feelings as its name - and not to be overluscious. Boudoir is sweet and sensual like women, but it’s at the same time uncluttered and masculinely straightforward.

The font borrows some playful capital shapes from the all caps Baronessa and draws inspiration for others from old classics.

Dranskof Font

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Dranskof is a light-hearted, cheery font. It is inspired by a page from an extraordinary serbian publication for children by the writer, poet and journalist Duško Radović.

Hand Gothic Font

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Hand Gothic is a condensed typeface with a hand-lettering feeling, available in two weights.

The fonts, provided in OpenType format, include support for most European languages and some OpenType extras : ligatures, alternate “A” and “g”, case-sensitive forms and a handful set of arrows
and icons.

Geogrotesque Font

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Geogrotesque is a semi modular with a subtle rounded finish typeface. All the characters are based in the same formal principle with its corresponding optical adjustments in order to adapt the system to an alphabet for texts. Although the type family has a geometric or “technological” construction, the rounded finish provides it a warm appearance, making the typefaces nicer and nearby.

Encorpada Pro Font

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After the successful release of Encorpada Black, now it’s time of Encorpada Pro type system. Now with seven weights and a lot of curves. Freely inspired by the didones shapes, Encorpada Pro now have a extended character set with more than 40 languages supported, Opentype Features and Amazing Swashes in Italic Version.  Enjoy It.  read more

Concord Font

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Yet another typeface with simplicity as it’s core element. Concord is derived from a successful type family ‘Accord Alternate’ by giving geometric touch to it. Hence Concord is a geometric sans serif. It has large counters which enhance readability. It is available in seven different weights for emphasis.

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Akzidenz-Grotesk BE Font

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Akzidence Grotesk BE Font Free Download

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Kumla

font family from Letters from Sweden, added February 1st
Kumla Skofabrik was built 1912 in Kumla, a nice little town just south of Örebro, about 218 km from Stockholm. At that time Kumla was the place to be if you were into shoe manufacturing. There have been about 140 shoe factories in Kumla and even today there are shoes being made in Kumla but the number
of factories have been reduced to five.
On the front side of Kumla Skofabrik letters from 1920 are spelling out the name of the factory,
all in capitals. These letters have been the inspiration for our typeface, Kumla. An article describing
the work in progress is posted on our blog.
Nobody knows who drew the original letters on Kumla Skofabrik, but we dedicate this typeface
to that person who we think made a really great job.
Kumla is Letters from Sweden’s first release in the “Fabrik Suite” — a project inspired by Swedish industry, factories and harbors.
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